March 27, 2018 - June 24, 2018
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Wallerant Vaillant. Master of MezzotintNational Gallery in Prague - Schwarzenberg Palace, Hradčanské náměstí 2, Prague 1March 27, 2018 - June 24, 2018
Curator: Petra Zelenková Painter, draughtsman and graphic artist Wallerant Vaillant (1623, Lille – 1677, Amsterdam) is a distinct, though generally lesser-known representative of the 17thcentury Dutch and Flemish Golden Age painting. A successful portrait painter, he is primarily renowned as the first professional graphic artist working in mezzotint – and that work is presented at this small exhibition. He trained in Antwerp with painter Erasmus Quellinus II, a collaborator of Peter Paul Rubens. Vaillant became professionally independent in the 1640s, working in Amsterdam and its surroundings. As a respected portraitist working in painting and pastel, he was invited to Frankfurt, where the imperial election and coronation took place in 1657–1658. It was there that he became acquainted with the new graphic technique of mezzotint, which had first been used in the 1640s. Mezzotint is a special graphic technique in which the image is achieved by producing surfaces in graded black and white tones. In the 1650s, mezzotint was still an imperfect technique in which amateur aristocrats liked to engage. These included the talented Prince Rupert, Count Palatinate of the Rhine, son of the “Winter King” of Bohemia, who lived in Frankfurt at that time. He engaged Vaillant to assist in his experiments with mezzotint and the two improved the technique considerably. In 1659, however, each went his own way. Vaillant lived in France and then settled in Amsterdam for good around 1665. There, he began to work with mezzotint with remarkable intensity, producing over 200 high-quality mezzotint sheets from the mid-1660s until his death. Vaillant did the mezzotints after his own works and invention, but also reproduced paintings by Renaissance and early Baroque masters and his Dutch and Flemish contemporaries. The sheets on display represent the majority of themes in Vaillant’s graphic oeuvre and confirm his masterful skills in the mezzotint technique.
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